Cloudy and cold with snow in the air. A drive in and around Bayfield for Pheebs and I this morning. I didn't take any photos today but I have a few from Sunday morning when I took a drive by myself because Pheebs didn't want to go. Woodsy and I took a drive up to Kincardine along the shores of Lake Huron Sunday afternoon. I had stumbled across an RV place south of Kincardine on the internet called Pierson Motors and RV. No, not looking to buy anything, just curious to see what they had.
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| A NICE LOOKING SUNDAY MORNING BUT COLD |
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| THESE TWO HORSES STILL HAVE THEIR WARM WINTER BLANKETS ON |
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| SKIFFS OF SNOW IN A WINTER WHEAT FIELD |
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| 'SHEESH, I DON'T KNOW WHY SHE HAS TO SPEND SO MUCH TIME PREENING HERSELF!!' |
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| 'WHAT DID YOU SAY MELVIN'??....... 'NOTHING DEAR' |
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| SEEN IN KINCARDINE ALONG THE SHORES OF LAKE HURON |
Al's Music Box:)) Here, There And Everywhere is a song by the English rock band the Beatles from their 1966 album Revolver. A love ballad, it was written by Paul McCartney and credited to Lennon-McCartney. McCartney includes it among his personal favorites of the songs he has written. In 2000, Mojo ranked it 4th in the magazine's list of the greatest songs of all time. McCartney began writing "Here, There and Everywhere" at Lennon's house in Weybridge, in early June, while waiting for Lennon to wake up. McCartney recalled: "I sat out by the pool on one of the sun chairs with my guitar and started strumming in E. And soon I had a few chords, and I think by the time he'd woken up, I had pretty much written the song, so we took it indoors and finished it up." When discussing his song "Here, There and Everywhere", McCartney has often cited the Beach Boys' "God Only Knows", his favorite pop song of all time, as a source of inspiration. In 1990, McCartney told Beach Boys biographer David Leaf it was "just the introduction that's influenced [by the Beach Boys]", referring to the harmonies he and Lennon devised for the opening lines of "Here, There and Everywhere". McCartney added that, with this style of introduction, they wanted to capture the "old-fashioned" idea of a preamble to the song. The Beatles recorded "Here, There and Everywhere" towards the end of the sessions for their 1966 album Revolver. The band worked on the song at Abbey Road Studios over three session dates – on 14, 16 and 17 June. Before carrying out overdubs, they taped 13 takes before achieving a satisfactory basic track. The recording is noted for its layered backing vocals, which McCartney, Lennon and George Harrison spent much of the three days attempting to perfect. McCartney mentioned in the 1989 radio series McCartney on McCartney that the vocals were meant to have a Beach Boys sound; he has also said that he was trying to sing it in the style of Marianne Faithfull. McCartney's lead vocal on the recording is multi-tracked. In his book Revolution in the Head, Ian MacDonald also comments on Harrison's lead guitar part being given a mandolin-like tone via a Leslie speaker effect, before it adopts a "horn-like timbre" for the song's ending. "Here, There and Everywhere" was released in August 1966 as the fifth track on Revolver, sequenced between Harrison's Indian-styled "Love You To", and the children's song "Yellow Submarine". Writing of its positioning in the running order, music critic Tim Riley says that "Here, There and Everywhere" "domesticates" the "eroticisms" of "Love You To", and he praises the composition as "the most perfect song" that McCartney had written up to that point. In his review for AllMusic, Richie Unterberger describes "Here, There and Everywhere" as one of its author's "outstanding contributions" to the genre of "love ballads", and a song with "the sound of an instant standard". Unterberger comments on the recording: "The delicacy of the execution is exquisite, the sensual imagery more explicit, the sense of desire and fulfillment tangible." Less impressed, Ian MacDonald admired the "ingenuity of the music", but concluded that "for all its soft-focus charm, the song's overall effect is chintzy and rather cloying." In his chapter on Revolver in the book The Album, James Perone describes "Here, There and Everywhere" as a "mid 1960s love ballad that could find its way into the set list for bands at a senior prom" and a track that to some listeners appears "syrupy and mushy". Ch ris Coplan of Consequence of Sound pairs it with "Got to Get You into My Life" as songs that are "seemingly out of place" on Revolver amid the overtly psychedelic and experimental music that typifies the album. In his authorised biography, Many Years from Now, McCartney names "Here, There and Everywhere" as one of his personal favourites. Beatles producer George Martin also highlighted it among his favourite McCartney songs. Lennon reportedly told McCartney that "Here, There and Everywhere" was "the best tune" on Revolver. In a 1980 interview for Playboy magazine, Lennon described it as "one of my favourite songs of the Beatles". In 2000, Mojo placed "Here, There and Everywhere" at number 4 on its list of the greatest songs of all time. In April 2004, Rolling Stone ranked it 25th out of the "100 Greatest Beatles Songs". Art Garfunkel described the song as "intoxicating": "If music can be defined as that which perfumes the atmosphere, then ‘Here, There and Everywhere’ does it like no other single I’ve ever heard. It’s supreme."
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- Who is the coolest doctor in the hospital?
The hip consultant.
- She said she was approaching forty, and I couldn't help wondering from what direction.
- An optimist stays up to see the New Year in. A pessimist waits to make sure the old one leaves.
- How does one train hear another train coming? With its engineers.
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It was my wedding day, and no one was happier than my 78-year-old mother.
But as she approached the church doors, an usher asked, “Which side are you on?”
“Oh, no,” she said. “Are they fighting already?”
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Al's Doggy World
Meanings::
Kelly's Corner |
| SO MANY MORNING WALKS SO MANY MEMORIES |
Al's Art Gallery
